Kate Wadkins is a Brooklyn-based writer and curator. She believes in the transformative power of punk. Find her online @kwadkins.
A few weeks ago, the Museum of Contemporary African Diasporan Art (MoCADA), debuted a new television series. I reviewed the debut of MoCADA TV but Hyperallergic’s editor and I continually had a back-and-forth about the usefulness of TV as a medium, and the fact that this pioneering move on part of the museum could open a lot of new discussions.
With all of these dialogues lingering, I caught up with Kalia Brooks, director of exhibitions at MoCADA, to get a better idea of the series’ aims.
It’s been nearly a month since we dismantled our mail art show, Presents: Three Months of Mail Art for Hyperallergic HQ. The show was a first in a lot of ways … but not all the mail art that was sent our way got to us …
The Museum of Contemporary African Diasporan Art has launched a new half-hour program, MoCADA TV, on Brooklyn’s BCAT TV network, an arts-focused public channel.
Late Monday night, word quickly got around that the beloved DIY arts and music venue on the border of Queens and Brooklyn, Silent Barn, had been burglarized. $15,000 of musical equipment, handmade art and valuables was taken from the venue, and the place was violently trashed.
New Jersey’s Doodle Drag is at it again! This Sunday, July 17, the drawing collective will be hosting “Joy Rider,” a drawing party on the subway.
Following the passage of the same-sex marriage bill in New York and a recent weekend of LGBT pride, it just felt right to attend curator Bradford Nordeen’s “Dirty Looks.” The series is a monthly platform for experimental queer film and video that Nordeen affectionately describes as “roaming”—June’s event was held at P.P.O.W. Gallery in Chelsea, though it takes place in various venues across the city.
Tuesday night, I ventured to St. Mark’s Bookshop to see pioneering feminist artist Carolee Schneemann read from her recent book of letters. Schneemann entered the crowded wearing her infamous devil mask.
The exhibition, titled Presents: Three Months of Mail Art for Hyperallergic HQ, will include mail art in the form of sculpture, installation, video and works on paper. The show’s catalogue will be in the form of a ‘zine.
As we dig through our Mail Art Bulletin submissions, our participants have taken to constructing a history of Mail Art through correspondence. We received three envelopes with references to Ray Johnson, the godfather of mail art.
Seven weeks ago, Hyperallergic began collecting Mail Art for our Mail Art Bulletin. Now, we are super excited to announce a new leg of our Mail Art project!
In tandem with Northside Open Studios, Hyperallergic will be curating a Mail Artshow from June 16-19.
Screaming Females are one of those bands who are just that good; they have an unwavering idea about who they are and what they want to do, have worked relentlessly to get where they are and have retained their weirdo aesthetic throughout. In the past two years, the band has gained the attention of indie icons like Henry Rollins and Jay Mascis, and they have played to huge auditoriums and basements alike, sharing the stage with bands like Dinosaur Jr., Ted Leo and the Pharmacists and Yo La Tengo as well as dozens of local musicians just starting out. The band doesn’t stop at concerts either — on March 30th, Screaming Females teamed up with frontwoman Marissa Paternoster and LNY’s new art collective, called Doodle Drag, for a multimedia show at Maxwell’s in Hoboken, New Jersey.
The multisensory solo exhibition of new works by the Canadian visual artist includes sculpted ceramics and life-sized automatons. On view in NYC.
