Art dealers and economists weigh in on why Chinese art narrowly evaded a new 10% tariff on Chinese goods.
Kealey Boyd
Kealey Boyd is a writer and art critic. Her writing appears in The L.A. Times, The Art Newspaper, Art Papers, College Art Association, The Belladonna Comedy, Artillery Magazine and elsewhere.
A Denver Art Project Envisions Alleys as Social Spaces
Between Us amplifies how we move through cities with small, but surprising interruptions to routines.
A Beer Festival Inspires Visitors to Craft Inventive Pretzel Necklaces as Snacks
Who has the time to sit down and eat? Visitors to the Great American Beer Festival bake their own pretzels and make stylish food pendants.
Charting New Territory in Landscape Photography
Most surprising in the Denver Art Museum’s current landscape photography show is the number of photographers who never enter the landscape, introducing new relationships within the genre and medium.
Derrick Adams’s Transmissions on Art and Black Identity
Adams’s artworks have a compelling sense of incompleteness, as the viewer is pressed to consider what is missing within his representations.
Hannah Gadsby’s Exquisite Performance In Calling Out Artists Who Abuse Their Power
It is up to consumers of art to ensure that Nanette‘s contribution to the #MeToo discourse does not get put on one metaphoric shelf while abusive artists persist on another, heroism preserved.
Reanimating Women from Found Photographs
From images of funerals to portraits of women who underwent forced sterilization, Daisy Patton’s works allow “the person to come back from death for a moment.”
Looking Back on the Golden Age of Fashion Illustration with Jim Howard
A showcase of Howard’s work from the 1960s through the ’80s illustrates major shifts in consumer behavior and records an art career that no longer exists today.
Jeffrey Gibson Challenges the Parameters of Native American Art
Jeffrey Gibson asserts his own creative vision, resulting in a new and exciting dialogue with the future of American art.
The America that Wealth Forgot
Sarah Kendzior, in her book of essays, The View from Flyover Country: Dispatches from the Forgotten America, claims that economic crisis is the new normal.
A Portrait of Artist Dana Schutz’s Son Reframes Issues of Consent and Appropriation
Hamishi Farah’s portrait painting apparently based on a photo of Schutz’s son was intended as a response to her controversial painting of Emmett Till, “Open Casket.”
Abstracting Maps to Question Our Relationships to Territory
In her large-scale drawings on sheets of vellum, the late artist Wopo Holup rendered geographic features with little or no contextual information, forcing viewers to reimagine how they envision landscapes.