Aloof, gay waifs appear as persistently in Hernan Bas’s paintings as saints in a cathedral.
Berlinde De Bruyckere’s work is often unsettling.
Upon entering the Bed-Stuy gallery American Medium — which sits just off Nostrand Avenue as a peculiar, fluorescent-lit dot in a sea of brownstones and Jamaican digs — one finds oneself confronted with the reverberating sounds of Adam Basanta’s sculpture “A Line Listening.”
Wolfgang Tillmans’s oeuvre has the rare ability to move across genres, mediums, and styles while still remaining indisputably singular. His exhibition of 175 recent works at David Zwirner, entitled PCR, is no exception.
SEATTLE — The Seattle Art Museum (SAM) attempts to confront the nuanced subtext of its vast collection of African masks in the ambitious and delightful exhibition Disguise: Masks and Global African Art.