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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Kenta Murakami

Kenta Murakami is an arts writer from the Pacific Northwest. He recently graduated from the University of Richmond with a B.A. in Art History, where he worked as a curatorial assistant, and is now interning at Hauser & Wirth.

Posted inArt

Hernan Bas on Painting Aristocratic, Queer Life in 1920s London

by Kenta Murakami April 13, 2016April 16, 2016

Aloof, gay waifs appear as persistently in Hernan Bas’s paintings as saints in a cathedral.

Posted inArt

Berlinde De Bruyckere’s Beloved Corpses

by Kenta Murakami March 24, 2016March 24, 2016

Berlinde De Bruyckere’s work is often unsettling.

Posted inArt

Digital Worlds Stretch the Limits of What’s Possible

by Kenta Murakami January 15, 2016January 16, 2016

Upon entering the Bed-Stuy gallery American Medium — which sits just off Nostrand Avenue as a peculiar, fluorescent-lit dot in a sea of brownstones and Jamaican digs — one finds oneself confronted with the reverberating sounds of Adam Basanta’s sculpture “A Line Listening.”

Posted inArt

Wolfgang Tillmans: A Wandering Eye Enamored with the World

by Kenta Murakami October 21, 2015October 22, 2015

Wolfgang Tillmans’s oeuvre has the rare ability to move across genres, mediums, and styles while still remaining indisputably singular. His exhibition of 175 recent works at David Zwirner, entitled PCR, is no exception.

Posted inArt

Artists of African Descent Don Disguises in the Digital Age

by Kenta Murakami September 3, 2015September 7, 2015

SEATTLE — The Seattle Art Museum (SAM) attempts to confront the nuanced subtext of its vast collection of African masks in the ambitious and delightful exhibition Disguise: Masks and Global African Art.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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