Community
Required Reading
The beauty of Iranian brickwork, the murderous silence on Gaza, the truth about Coldplay, and the anglerfish that touched the hearts of millions.
Lakshmi Rivera Amin
Lakshmi Rivera Amin is an editor and writer based in Brooklyn. She earned a BA in Ethnicity, Race & Migration from Yale University in 2021 and currently works as an Associate Editor at Hyperallergic.
Community
A View From the Easel
“The work grows with the size of my space.”
Community
Required Reading
This week: preserving Toni Morrison’s childhood home, graffiti artist Michael Stewart’s legacy, Gen Z stare discourse, a mini model of NYC, Dallas Cowboys Cheerleaders, and more.
Community
A View From the Easel
“In Ghana, my favorite ‘museum’ isn’t a traditional building at all. It’s the local artists and artisans themselves.”
Community
Required Reading
This week: Houston’s legendary muralist, the history of slo-mo in film, NYC art schools see an increase in applicants, whales speak with bubbles, Moo Deng turns one, and much more.
Community
A View From the Easel
“I’m drawn to how things fold, hold, or blur together.”
Community
Required Reading
This week: Coney Island’s mermaid parade, medical museums rethink their collections, anthropologists and curvy statues, a baby yak named Burrito, and more.
Community
A View From the Easel
“Gardening keeps me preoccupied as my ideas continue to germinate.”
Guide
Five Art Books for Your July Reading List
A new translation of a beloved Argentine comic, artists over 50 tell their stories, diasporic Puerto Rican art history, and more to enjoy by the seaside (or your A/C).
Community
Required Reading
This week: the Black Arts Movement’s radical aesthetics, Gatsby boat tours, advice columns, Hot Girls for Zohran, Gen Z dumps glitter on ICE, and much more.
Community
A View From the Easel
“Sometimes, I need to live with a piece to fall in love with it and get rid of any doubt that brews, a struggle many artists know well.”
Guide
Four New York City Art Shows to See Right Now
From Glenn Ligon’s critique of society’s ills to Diane Arbus’s complicity in them, the solo shows below provide plenty of food for thought.