Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.
The camera became the center of Chauncey Hare’s life, and a tool for awakening his political consciousness.
In no small feat, Why I Make Art condenses artists’ multifaceted, meandering spoken stories into lively, relatable narratives that draw the reader in.
Thirty-seven years after the artist’s death, a new exhibition proves that Oppenheim’s furry teacup was just one of her many daring artistic statements.
Listening to Clay sheds light on how Japanese clay workers went from skilled production craftspeople to fine artists, transforming the country’s culture in the process.
Author Malcolm Russell’s novel approach to history — finding it as it washes up on the riverbanks — makes the past seem very much alive.
The Bill Pickett Invitational Rodeo has helped validate and redefine the largely untold story of Black cowboys and cowgirls in the American West.
Bartolomé Esteban Murillo’s deftly painted canvases are filled with earthy, convincing characters that even the most secular viewer will appreciate, if not relate to.
The Colombian artist’s first US retrospective is a meditation on memory and seeing.
A new exhibition at the Mexic-Arte Museum reveals the crucial but under-recognized role that the Chicano art movement played in Austin’s history and culture.
The Second Half: Forty Women Reveal Life After Fifty is a celebration of the strength and insight of women from across the world.
One of Red Star’s many strengths is her ability to examine both the past and what’s still to come.