Lowriding is often considered to be a male-dominated movement, but Kristin Bedford shines a spotlight on the women of all ages behind the wheel.
Between 1886 and 1942, the US Department of Agriculture commissioned watercolorists to document the food from farms and orchards.
The two objects, now in the archive of the Fundació Miró Mallorca, inspired a six-foot-tall sculpture.
William E. Wallace excavates a lesser-known but crucial final chapter of the artist’s approximately 75-year career.
Part botanical history, part social history, Allison C. Meier’s map provides a welcome alternative route through New York’s urban jungle.
David Rothenberg photographed passersby between 2019 and March 2020 at a subway station in Jackson Heights, Queens.
We know precious little about the painter’s life, and we know even less about his work’s meaning. A new book argues that the artist wanted it that way.
“If you’re going to do art history,” Steinberg declared, “you’d better know what your artists were looking at. And that has to include prints.”
Inspired by children’s drawings, Hungarian folklore, and medieval legends, Torma’s playful, hand-sewn worlds are engrossing.
“The Wig: A Hairbrained History” explores the wig as a tool for gender bending, seduction, and disguise in a collection of fanciful short essays.
Despite a career spanning six decades, Jaramillo’s rigorous, original work has largely been overlooked by museums and markets — until now.
“Uninvited Guests” looks at sexism in Spain during the late 19th and early 20th centuries, and at the museum’s own essential role in perpetuating it.