The Colombian artist’s first US retrospective is a meditation on memory and seeing.
Lauren Moya Ford
Lauren Moya Ford is a writer and artist. Her writing has appeared in Apollo, Artsy, Atlas Obscura, Flash Art, Frieze, Glasstire, Mousse Magazine, and other publications.
Unearthing Austin’s Overlooked Chicano Art History
A new exhibition at the Mexic-Arte Museum reveals the crucial but under-recognized role that the Chicano art movement played in Austin’s history and culture.
An Insightful Look Into the Lives of Women Over 50
The Second Half: Forty Women Reveal Life After Fifty is a celebration of the strength and insight of women from across the world.
Wendy Red Star’s Empowered Vision of Crow History
One of Red Star’s many strengths is her ability to examine both the past and what’s still to come.
In the Chicano Movement, Printmaking and Politics Converged
Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.
In San Marcos, A Homecoming for Bill Hutson
Hutson’s textured work honors and challenges his city across mediums in a long overdue exhibition.
Luigi Ghirri’s Affectionate Photos of Puglia’s Calm, Hushed Spaces
By the time of his death in 1992, at age 49, Luigi Ghirri had taken some 2,000 pictures in Puglia, most of which have never been seen publicly.
Julia Morgan, California’s First Licensed Female Architect
A new biography looks at the largely forgotten architect who executed more than 700 building projects in California, including the Hearst Castle.
The Spirited Sculpture of Octavio Medellín, Beloved Mexican-American Artist and Teacher
Medellín’s first museum retrospective is a thoughtful tribute to his lifelong pursuit of craft and sincere search for connection.
How Artists Saw New York City Throughout the 20th Century
New York hasn’t just housed generations of artists; it’s also been their muse.
A New Book on Niki de Saint Phalle Presents the Artist In Her Own Words
A new book on the artist features selections from Saint Phalle’s prints, doodles, letters, and diaries, arranged in roughly chronological order.
Mies van der Rohe’s Forgotten Frat House Design Is Resurrected and Repurposed
The newly unveiled 60-foot-wide, 140-foot-long steel and glass building is an exemplar of Mies’s signature understated but innovative style.