Stephen L. Starkman’s moving book about his encounter with mortality leaves a place for perseverance and hope.

Lauren Moya Ford
Lauren Moya Ford is a writer and artist. Her writing has appeared in Apollo, Artsy, Atlas Obscura, Flash Art, Frieze, Glasstire, Mousse Magazine, and other publications.
What Can Art Do for Women?
A group show of women artists at The Contemporary Austin addresses the weight and urgency of the current political moment.
The Extraordinary Life of Barbara Chase-Riboud
The pathbreaking artist recounts milestones in her life through letters she wrote to her mother.
William Eggleston’s Long Road to Recognition
A new book presents nearly 100 previously unseen photos from the artist’s influential, once-controversial body of work.
Matthew Wong’s Tenacious Vision
The Dallas Museum of Art’s retrospective of the artist is an opportunity to reframe the conversation about Wong and his work.
Texas Show Spotlights Brazilian Art and Activism
An exhibition at the University of Texas at Austin offers an alternative view of the nation through the lens of contemporary artists.
Norman Rockwell’s Exceptional Drawings, Revealed for the First Time
Extensively illustrated, Norman Rockwell: Drawings, 1911–1976 is the first book dedicated to the artist’s prolific but largely private drawing practice.
The Complex Fashion History of Colonial Spanish America
An exhibition at Blanton Museum of Art encapsulates the complicated ways in which Indigenous and European traditions cross-pollinated through textiles and accessories.
A Fresh Look at Flowers in Photography
Can photographers capture the vitality of flowers compellingly, innovatively, and beautifully? A new book gives a resounding yes.
A Decade Among the Mennonites
Larry Towell’s images reveal a little-seen, isolated world and raise questions about the unforgiving impact of tradition on families.
The Largely Unknown Story of Women, Abstract Expressionism, and Texas
Three Women Artists: Expanding Abstract Expressionism in the American West uncovers the little-known stories of professional and creative gains in the region, and especially in the Texas Panhandle.
Why Are You Drawing Faces Like That?
With deep-set eyes and sealed lips, an ovular, narrow face is pervasive in James Gilbert’s work.