The Bill Pickett Invitational Rodeo has helped validate and redefine the largely untold story of Black cowboys and cowgirls in the American West.
Bartolomé Esteban Murillo’s deftly painted canvases are filled with earthy, convincing characters that even the most secular viewer will appreciate, if not relate to.
The Colombian artist’s first US retrospective is a meditation on memory and seeing.
A new exhibition at the Mexic-Arte Museum reveals the crucial but under-recognized role that the Chicano art movement played in Austin’s history and culture.
The Second Half: Forty Women Reveal Life After Fifty is a celebration of the strength and insight of women from across the world.
One of Red Star’s many strengths is her ability to examine both the past and what’s still to come.
Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.
Hutson’s textured work honors and challenges his city across mediums in a long overdue exhibition.
By the time of his death in 1992, at age 49, Luigi Ghirri had taken some 2,000 pictures in Puglia, most of which have never been seen publicly.
A new biography looks at the largely forgotten architect who executed more than 700 building projects in California, including the Hearst Castle.
Medellín’s first museum retrospective is a thoughtful tribute to his lifelong pursuit of craft and sincere search for connection.
New York hasn’t just housed generations of artists; it’s also been their muse.