Despite his work’s apparent abstraction, Sheroanawe Hakihiiwe insists that “I don’t invent anything, everything I do is my jungle and what is there.”
Francis made over 10,000 artworks, starred in more than 100 solo exhibitions, and, in the late 1950s to mid-1960s, commanded the highest prices of any living painter.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
Capron says her creations reflect herself and her immigrant, Latinx community.
The shirtless, sweating men splayed across and against car hoods and dashboards in Derby convey a sense of bonded brotherhood and physical intimacy.
“I’ve always felt that home is a fraught place which is constantly going through ruptures,” says Jagdeep Raina.
In 1999, photographer Naomi Harris followed a group of resilient seniors who, despite physical limitations and difficult pasts, were independent, sociable, and fun.
Every Saturday, Eleonore Koch visited the older painter Alfredo Volpi’s São Paulo studio, learning, in her words, “through observation and being together.”
Exhibitions will display embroidery techniques by asylum seekers, reflect on New Mexico’s first all-Black community, and more.
Photographer Fin Serck-Hanssen follows Hedda, a Norwegian in her early 20s, as she travels to undergo cosmetic surgeries and a vaginoplasty.
With $1.3 million granted by the Getty, teams hope to develop innovative solutions to address Wupatki’s challenges that can also be applied to other climate-vulnerable heritage sites.
A new book explores the impact of rapid growth and industrialization on six major Latin American cities.