Mary Ann Unger worked against the idea of the solitary (male) genius, creating a model of life and work that empowers artists like her daughter, Eve Biddle.
Leah Triplett Harrington
Leah Triplett Harrington a curator, writer, and editor. She has organized projects for Boston University Art Galleries, Abigail Ogilvy Gallery,Trestle Gallery, Herter Gallery, and others, and her writing has appeared in numerous publications. In 2021, she was the inaugural curatorial mentor for Praise Shadows Art Gallery and taught in the MFA program in Painting at Boston University.
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Two Nordic Art Fairs Look Beyond Geography
Down Иorth: North Atlantic Triennial and CHART suggest a model of regional exhibition-making that refutes the essentialism common in contemporary art.
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A Meditation on Biotech’s Cycles of Healing and Harm
Sharona Franklin’s artwork is a celebration and commemoration of what is gained and lost with scientific advances that result in biohazardous waste.
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The Intimate Polaroids of a 1980s Punk Photographer
Morrisroe’s works are photographic in material, painterly in aesthetic, and completely performative in concept.
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Building Public Trust Through Individual Promises
BOSTON — Paul Ramirez Jonas has challenged the idea of public space — and how it is demarcated from the private — throughout his 25-five year career of making highly formal participatory work.
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Caught Up in Rosalyn Drexler’s Dramatic Moments
WALTHAM, Mass. — Who Does She Think She Is? is a remarkable monographic exhibition of Rosalyn Drexler’s varied work.
