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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Lee Ann Norman

Lee Ann Norman’s research and writing focuses on the relationships between politics and aesthetics, and art’s perceived cultural, social, and market value. Her writing has appeared in BOMB, Guernica, Artcritical.com, the Chicago Reader, Newcity, and the Brooklyn Rail, among others. Lee Ann earned the MFA in Art Criticism and Writing from the School of Visual Arts in New York City. She is currently based in Chicago.

Posted inArt

Eight Women Visual Artists Use Duchamp’s Provocation as a Springboard

by Lee Ann Norman May 3, 2019May 2, 2019

Marcel Duchamp’s “The Bride Stripped Bare by Her Bachelors, Even” provides a provocative foundation for an exhibition of female artists who riff on the liminal spaces between ideas and events.

Posted inArt

With Internet Comments and Colonial Imagery, an Artist Remixes Our Hybrid Identities

by Lee Ann Norman October 21, 2016October 23, 2016

Larry Achiampong mixes pop culture, internet imagery, and historical iconography related to the African diaspora to craft images, videos, and installations that reflect the complexity of identity in today’s fluid, interconnected world.

Posted inArt

Barkley L. Hendricks on “the Fucked-Up-Ness of American Culture”

by Lee Ann Norman April 7, 2016April 18, 2016

Barkley L. Hendricks is well known for creating life-size oil paintings of mostly black American subjects from northeastern cities, but his practice involves much more than that.

Posted inArt

Seeing the World from Nature’s Many Perspectives

by Lee Ann Norman December 30, 2015December 29, 2015

Brooklyn-based artist Teresita Fernández is well known for using unconventional materials and creating large-scale sculptures and installations that draw our attention to visual perception.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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