• Become a Member
  • Facebook
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Games
  • Comics
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Games
  • Comics
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Games
  • Comics
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Lillian Kalish

Lillian Kalish is a writer and poet curious about the intersections between art, politics and development. Lillian has written for Artnews, Artillery Magazine, and The Myanmar Times and has poetry featured in The Offing and Nepantla. Follow them @LillianKalish.

Zilah Mendoza as Magdalena "Magda" Del Rio in An Enemy of the Pueblo at CASA 0101 in Boyle Heights (photo by Ed Krieger)
Posted inPerformance

In Boyle Heights, a Play About a Threatened Village Hits Home

by Lillian Kalish November 8, 2017

A Latinx-focused adaptation of Henrik Ibsen’s An Enemy of the People dramatizes the tension between the harsh realities of modernity and traditional knowledge and ways of life.

Posted inArt

A Gallery in a Truck Fuels Up on Anti-Patriarchal Art

by Lillian Kalish November 6, 2017November 7, 2017

The inaugural exhibition at Gas, a new Los Angeles gallery located in a box truck, offers a range of routes for making anti-fascist art.

Posted inPerformance

Black Queer Artists Explore the In-Between

by Lillian Kalish October 3, 2017October 4, 2017

At LA’s Main Museum, an evening of multimedia performance including hip-hop, poetry, and readings looked at the intersections between queerness and blackness.

Black Lives Matter co-founder Patrisse Khan-Cullors holds a protest sign during her performance "Remembering '92."
Posted inArt

A Black Lives Matter Co-Founder Channels the Pain of LA’s 1992 Uprising

by Lillian Kalish August 25, 2017

On Tuesday at the California African American Museum, artist Patrisse Khan-Cullors performed a funerary procession for those lost in the violence 25 years ago, invoking the entire history of systemic violence in the US.

National Portrait Gallery Announces the 2025 Outwin Boochever Portrait Competition
Sponsored

National Portrait Gallery Announces the 2025 Outwin Boochever Portrait Competition

The first prize winner will receive $25,000 and a commission to portray a remarkable living American for the Smithsonian museum’s collection.

Hyperallergic
  • Facebook
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2023 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy
Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
View preferences
{title} {title} {title}