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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Lillian Kalish

Lillian Kalish is a writer and poet curious about the intersections between art, politics and development. Lillian has written for Artnews, Artillery Magazine, and The Myanmar Times and has poetry featured in The Offing and Nepantla. Follow them @LillianKalish.

Zilah Mendoza as Magdalena "Magda" Del Rio in An Enemy of the Pueblo at CASA 0101 in Boyle Heights (photo by Ed Krieger)
Posted inPerformance

In Boyle Heights, a Play About a Threatened Village Hits Home

by Lillian Kalish November 8, 2017

A Latinx-focused adaptation of Henrik Ibsen’s An Enemy of the People dramatizes the tension between the harsh realities of modernity and traditional knowledge and ways of life.

Posted inArt

A Gallery in a Truck Fuels Up on Anti-Patriarchal Art

by Lillian Kalish November 6, 2017November 7, 2017

The inaugural exhibition at Gas, a new Los Angeles gallery located in a box truck, offers a range of routes for making anti-fascist art.

Posted inPerformance

Black Queer Artists Explore the In-Between

by Lillian Kalish October 3, 2017October 4, 2017

At LA’s Main Museum, an evening of multimedia performance including hip-hop, poetry, and readings looked at the intersections between queerness and blackness.

Black Lives Matter co-founder Patrisse Khan-Cullors holds a protest sign during her performance "Remembering '92."
Posted inArt

A Black Lives Matter Co-Founder Channels the Pain of LA’s 1992 Uprising

by Lillian Kalish August 25, 2017

On Tuesday at the California African American Museum, artist Patrisse Khan-Cullors performed a funerary procession for those lost in the violence 25 years ago, invoking the entire history of systemic violence in the US.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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