Semiotex(e) is widely known as the publisher that brought French theory to America. Initially a scholarly journal founded in the early ’70s by Sylvère Lotringer and others at Columbia University, Semiotext(e)’s reach expanded into the underground and downtown scenes, creating and reflecting affinities between high theory and experimental art, literature, and performance practices.
Molly Zuckerman-Hartung is a Chicago-based painter, teacher, and author of “The 95 Theses on Painting.” Her work reflects a deep engagement with process, material, and with painting’s long history. Her abstract paintings often extend above the surface and outside the frame, via pooled enamel, collaged images, or sewn fabric, as in her painting “Notley”, currently on display in the Whitney Biennial.
Last summer, at The Afrika Bambaataa Master of Records Vinyl Archive at Gavin Brown’s Enterprise, New Yorkers had the unprecedented opportunity to participate in the cataloging of one of the world’s most historically significant record archives. Currently on view at 80WSE Gallery, the exhibition DEVOTION: Excavating Bob Mizer mines photographer Bob Mizer’s massive personal collection of negatives, documents, props and costumes.