Neal Medlyn has been channeling pop stars in New York galleries and theaters since the early aughts, and has built a repertoire of performances that run heavy on exhibitionism and intellectualism. His most recent show, Wicked Clown Love, which premiered at The Kitchen in February, is based on a trip to the Gathering of the Juggalos, the annual hardcore rap festival organized by the group Insane Clown Posse. Medlyn and I met at a bar in Chelsea, where he told me about how he made Kanye West cry, among other juicy tales.
If artists knew how to take breaks, they’d probably find different professions. True to their people, art-party company The They Co. has put together an ambitious “break” from the commercial art madness of Armory Week — a colossal, curator-driven, thematic art exhibition on three floors of an old school in Nolita. Spring/Break’s 23 curators, both independent and gallery-affiliated, from boroughs near and far, present a dynamic, thoughtful response to the inaugural show’s theme, “Apocalist: A Brief History of the End.”