Mohammad Omar Khalil, whose work often draws inspiration from his homeland, calls black “the richest medium, the richest color for me in all printmaking.”
Lizzy Vartanian Collier
Lizzy Vartanian Collier is a London-based writer and curator. She runs the Gallery Girl website (www.gallerygirl.co) and has written for Canvas, the Guardian, Harper's Bazaar Arabia, Ibraaz, Jdeed, ReOrient, Suitcase, Tribe, Vice Arabia and Vogue Arabia.
Posted inArt
Looking at Textiles Through Women’s Collecting Practices
Encompassing both private and public collections, Unbound represents a range of collecting practices and asserts the artistic, cultural, and social importance of textiles.
Posted inArt
An Artist Paints Love and Life in Maputo, Mozambique
Drawn from archival photographs, memories, and imagination, Cassi Namoda’s family portraits emanate warmth and comfort.
Posted inArt
Pre-Raphaelite Women Don’t Quite Get Their Due
While Pre-Raphaelite Sisters does write the female characters of the Pre-Raphaelite era into art history, it falls short by relegating these talented artists to the roles of lover and muse.
Posted inArt
From Yemen to the Netherlands, a Photographer Focuses on Migration and Statelessness
With her project, The Passport, Thana Faroq documents the lives not just of stateless individuals, but also her own escaping conflict and later settling abroad.
Posted inArt
Painting Home, When It Won’t Let You Stay
In her first major solo show in London, Kudzanai-Violet Hwami’s paintings recall the all too familiar diasporic experience of being foreign in both places you call home.
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A Transformative Art Festival Is Mounted Again in the Breakaway Republic of Karabakh
In October 2018 Anna Kamay created the first ever contemporary arts festival, Artsakh Fest, in Stepanakert. Now she returns to restage it with a new theme and approach.
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A Conversation with Rose Issa, Champion of Artists From the Middle East
On the eve of her exhibition at the new Middle East Institute Gallery, Issa talks about her decades-long curatorial career, the shifting infrastructure for artists in the region, and the need for memory and archives.
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Challenging Stereotypes by Contorting the Female Form
Hayv Kahraman’s paintings compel viewers to acknowledge the potential pleasure of viewing contorted bodies in a position of pain.
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Exposing Ghosts of the Past, Michael Rakowitz Pulls Back the Curtain
Throughout his career, Rakowitz has been making artful reconstructions of lost heritage.
Posted inBooks
A Chronicle of 100 Contemporary Artists Who Use Textiles
With artists spanning all corners of the globe, Vitamin T is a timely contribution to dismantling the division between art and craft.
Posted inArt
How Mohamed Melehi Helped Forge a Colorful, Moroccan Form of Modernism
New Waves at the Mosaic Rooms illustrates how Melehi’s painted waves spread across Morocco to create a cultural scene that celebrated tradition.
