Music
I've talked about Michael Tatum before, but that Kitty song compels me to cite this marvelous Tatum sentence, about Skrillex: "…any hairstyle that resembles a palomino's hindquarters when viewed from an elevated height commits cosmetological crimes so outrageously grotesque they could send Korn's Jo
Music
In part 2 of this month, reviews of music for autobahns, a rough guide to samba, Kacey Musgraves, A$AP Rocky, Monoswezi, Modestep, OneRepublic, and Teleseen.
Music
Every year, the Village Voice holds an annual poll, inviting nearly every critic in the biz to vote on the best albums and singles of the given year. Because of its size, it’s generally the best way to measure yearly progress in pop music: the numbers actually mean something. The thing is huge; 493
Music
Since January I’ve been squeezing an extra review into each catalogue, and, nearing the end of February, it finally cost me a deadline. I’m pretty satisfied with the way things turned out, though. As of this post since March last year, I’ve reviewed 100 2012 albums, not bad. High points here are a C
Music
This month, reviews of Miguel, Tame Impala, Swans, Killer Mike, and Future.
Music
In part 2 of this month, reviews of Lana Del Rey, Kid Koala, Japandroids, Cat Power, and Alabama Shakes.
Music
This month, reviews of Pink, Macklemore, Bruce Springsteen, The Coup and Grimes.
Music
CHICAGO — In the summer of 2011, back before his blown-up image started selling thousands of records, I discovered Frank Ocean while looking through a batch of new releases, through a then-mysterious single called “Novacane.” First I was drawn in by the lyrics, with their Kubrick references, subtle
Music
This month, reviews of Kendrick Lamar, a collection of international dance music, Miss Pooja, Bat For Lashes, the Funkees, Elle Varner, Pitbull, and Gudda Gudda.
Music
I hate to say this after Obama’s reelection, but my faith in popular taste has been shaken a little: except for Fiona Apple, none of the biggest sellers this month are worth your time. You could think of these records as the music industry’s way of stealing your money. Or you could simply refuse to
Music
CHICAGO — Inspired by Michael Tatum’s Downloader’s Diary, where Tatum has so far published two full-artist reviews, I tried my hand at this form, and this is where it got me. It’s a great excuse to extensively play records I otherwise wouldn’t have enough time for, not to mention a way to understand
Music
This month, reviews of Twin Shadow, Bob Dylan,The Rough Guide to Highlife, Istanbul 70, The Sheepdogs, Orient Noir, Deadmau5, and Jens Lekman.