Art
The Monstrous Femininity of Maureen St. Vincent
The artist’s aquatic pastels represent women who cannot be domesticated or controlled.
M. Charlene Stevens
M. Charlene Stevens is a curator, art critic, and photographer who lives and works in New York.
Art
Nathan Vincent Crochets Away Toxic Masculinity
Drawing on his knitting and crochet skills, Vincent softens hard surfaces, such as steel lockers and locks, porcelain urinals, guns, grenades, and bombs.
Art
Kameelah Janan Rasheed Embraces the Unknowable
Her multidisciplinary practice takes text as a point of departure, stripping away layers of meaning until only the marks remain.
Art
We Need to Talk About the Middle Passage
Doreen Lynette Garner renders flesh in silicone with unforgiving realism, representing the pathology of colonialism, slavery, and white supremacy.
Art
Damien Davis Explores the Legacy of the Tulsa Race Massacre Through Collage
For his solo presentation at Untitled Art Fair in Miami, Davis developed a lexicon of negritude, crafting sculptural plexiglass collages to explore the events that decimated a community popularly known as “Black Wall Street.”
Performance
Performing the Legacy of Caribbean Junkanoo
Through “Junkanooacome” (“Junkanoo is coming” in Jamaican patois), Jodie Lyn-Kee-Chow offers an adaptation of a pan-Caribbean festival with a parade of masked dancers.
Art
When White "Allies" Go Wrong
No one owes Kurt McVey a seat at the table or an invitation to the party, and the Man Ray image selected for his fragile white male rant points to why.