The works at Center for Book Arts embrace a wide spectrum of emotions and subjectivities outside of White-centric definitions of what an “American” is.
While many of Julia Kuhl’s paintings are funny and provocative others are more troubling, alluding to the ways women’s personal, professional, and sexual boundaries often go broadly unacknowledged.
Thinking of a Place fosters a feeling that we are seeing just a slice of what’s out there, potentially leaving us with a desire to experience the full picture of place.
Kate Zambreno’s Screen Tests show us that all good criticism is about what it means to look, slowly and closely.
What happens when an artist’s mythologized life distracts from his work?
Amaranth Borsuk’s The Book traces how the nature of reading changed from an activity practiced by a small number of scholars to a pastime of the masses.
Sepuya’s portraits unmask the artifice of studio portrait photography.
Featuring 3D collages made from Batman comics, sculptures carved from archaeology books, and massive archways built from recycled paperbacks, Art on Paper 2019 celebrates the fine art potential of an undervalued material.
Here are some of the most innovative graphic novels this year, selected by Dan Schindel and other Hyperallergic reviewers.
Zine-makers working at the intersection of art and technology showcase their projects at the School for Poetic Computation.
Cartoonist Matthew Thurber doesn’t leave us with a clean moral or tidy ending to his series of comic jabs at the art world and its institutions.
A new book from Hauser & Wirth compiles five decades of abstract artist Jack Whitten’s personal writings.