Françoise Mouly and Nadja Spiegelman will release the second issue of their free periodical that centers women’s voices on July 4.
Printed Matter’s exhibit Sally Alatalo: Narrative in Revision includes experimental magazines, printed ephemera, and newer digital works.
Coco Picard’s The Chronicles of Fortune is a story about learning how to grapple with the role of death in life.
In a new space for its fifth edition, the art book and zine fair renewed its focus on independent publishers and had a strong community ethos.
Ray Johnson’s exhibition at Matthew Marks is proof that the eccentric collage and mail artist’s works were never meant for gallery walls.
In her latest exhibition, Sara Cwynar probes our complicated relationship with image-saturated advertising.
Kristen Radtke’s graphic memoir uses photos and the death of her uncle as touchstones to illustrate parallel forms of decay and loss.
With appropriative text and visuals, the book is full of single-page mash-up vignettes of obtuse techno-speak and familiar graphics.
The See Red Women’s Workshop, which ran from 1974 to 1990, began with a newspaper ad calling for female visual artists “to combat images of the ‘model woman.’”
An exhibition at David Zwirner brings together the artist couple’s individual and collaborative autobiographic comics.
Gina Wynbrant’s comics are pleasantly uncomfortable and brash.
Dedicated mostly to female voices, the comics newspaper RESIST! was distributed for free at marches across the US on January 21.