At Flo Kasearu’s House Museum, velvet red ropes serve as partitions between those rooms in which “real life” takes place and the public spaces from which visitors can peek in.
Meghan Forbes
Meghan Forbes is a researcher, writer and editor. She lives in New York.
Posted inArt
Revisiting a Czech Artist’s Collages of Human Cruelty, 50 Years After the Prague Spring
While Grimace of the Century at Prague’s National Gallery is not dedicated to Kolář’s collage series Diary 1968 alone, its constant presence is such that all the works on display cannot but assume a political valence.
Posted inPerformance
William Kentridge Incants Kurt Schwitters’s Iconic Dada Sound Poem
In a commissioned work for the Performa Biennial, Kentridge reimagines the Dada classic, reciting the nonsensical words while a montage of images flashes behind him at high speed.