Rego’s women are always independent spirits, and they are often raging.
For Eduardo Chillida, a work was a finished thing. Gustav Metzger, on the other hand, would make works that sometimes existed in a state of perpetual evolution.
This is a public, political art that invites us to see the world differently, and even encourage the spirit of community.
The exhibition Barbara Hepworth: Art & Life is both an examination of some of the best of her artworks and a spasmodic account of her life.
An exhibition takes on the notorious Roman emperor, from gleaming marble to roaring flames.
There is so much information handed to us in the exhibition, Eileen Agar: Angel of Anarchy that we risk forgetting what we might think if we came fresh to a painting.
You could say that Nina Hamnett fell victim to her own reckless self-mythologizing.
How much of the effect is the object reflected, or the reflection of the object?
Whiteread has made two full-size structures over the course of the lockdown that suggest a candid act of emotional unburdening.
Eight shows over the course of a year loosely explore the eight chapters of Arendt’s 1968 book, Between Past and Future.”
How should we take all this buffoonery? In part, it looks like satire. But what exactly are they poking fun at?
Margaret Gainsborough was a woman who knew her own worth.