Art Review
The Private Calligraphy of Henri Michaux
The poet turned to psychedelics to discover the nature of his own consciousness, producing inscrutable drawings that alternately vibrate until they blur, or wash gently to and fro.
Michael Glover is a Sheffield-born, Cambridge-educated, London-based poet, art critic, and poetry editor of The Tablet. He has written regularly for the Independent, the Financial Times, and the Economist, and was a London correspondent for ARTNews.
Art Review
The poet turned to psychedelics to discover the nature of his own consciousness, producing inscrutable drawings that alternately vibrate until they blur, or wash gently to and fro.
Art Review
Feeling, intuiting the swing, sway, and pressures of life, with all its tumult, its blare, its bounce, and its heave, were what really counted in modern poetry.
Art
The artist’s career in Rome was curtailed by the sacking of the city in 1527 by the armies of Charles V but they were so impressed by his visionary painting that they spared his life.
News
The artist rendered portraits and scenes of the streets of north London with a life-affirming spirit and no evidence of frivolousness.
Art
The late British artist certainly had no sympathy for the idea — or perhaps the misplaced ideal — of the perfectly crafted sculptural object.
Books
What started as a catalog essay about van Gogh’s little-known passion for poetry became a suite of poems for the Dutch painter.
Art
Paris 1924: Sport, Art and the Body sets its focus on issues that emerge from athletes being displayed as heroic on the world’s stage.
Art
In the Eye of the Storm conveys how Ukraine came to be a thriving center of avant-garde art in the early decades of the 20th century.
Art
Moore’s drawings made in underground shelters during WWII show us strangers whose lives had been shredded by grief, despair, and fear.
Art
Van Huysum's are not paintings of flowers in all their transience, but flowers of the curious Now, in all their splendid, bullish brilliance.
Art
Just two paintings are in The Last Caravaggio, both in perplexed mourning over their subject matter, and both emerging from dark places.
Art
Michaël Borremans’s paintings seem to display a pitiless, if not forbidding, irony, almost studiedly cruel in their level of dispassion.