Eight shows over the course of a year loosely explore the eight chapters of Arendt’s 1968 book, Between Past and Future.”
Michael Glover
Michael Glover is a Sheffield-born, Cambridge-educated, London-based poet and art critic, and poetry editor of The Tablet. He has written regularly for the Independent, the Times, the Financial Times, the New Statesman and the Economist. He has also been a London correspondent for ARTNews, New York. His latest books are: Late Days (2018), Hypothetical May Morning (2018), Neo Rauch (2019), The Book of Extremities (2019), What You Do With Days (2019) and John Ruskin: a dictionary (2019).
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Gilbert & George, Full of Themselves Again
How should we take all this buffoonery? In part, it looks like satire. But what exactly are they poking fun at?
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Thomas Gainsborough’s Quietly Passionate Portrait
Margaret Gainsborough was a woman who knew her own worth.
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Dante: Our Medieval Contemporary
Why is Dante the Florentine still present with us 700 years after his death?
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The Melancholy Marriage of Tracey Emin and Edvard Munch
What do Emin and Munch have in common other than a burning desire to embrace, and be defined by, the miseries of life?
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The Silence of Lynette Yiadom-Boakye
Looking at Yiadom-Boakye’s portraits is an act of slow discovery, the unveiling of a mystery.
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Does Anyone Believe in Sculpture?
In “Shaping the World: Sculpture from Prehistory to Now,” the issue crying out to be addressed is: where will sculpture go next?
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J.M.W. Turner, the Modern
A show at Tate Britain underscores Turner as the great recorder of elemental disorder and industrial pollution on the grand scale.
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Some of the Best Art Books of 2020
Abstractions, illusions, DIY concoctions, museums touting their collections, and other holiday confections.
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The Crude, Exhilarating, Watery Worlds of Alfred Wallis
Wallis tore up the rule book and pointed a way forward for British painting.
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What Is Bruce Nauman for?
It is neither easy nor especially relaxing to spend time with Nauman.
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Howard Hodgkin Gushes Forth
Howard Hodgkin: Memories — the first show of any importance since the artist’s death — seems to open him up as never before.