Art
How the Impressionists Captured Life on Paper
While painting on canvas often slows life right down, paper works were frequently the stuff of sketchbooks, not necessarily labored over in some studio.
Michael Glover is a Sheffield-born, Cambridge-educated, London-based poet, art critic, and poetry editor of The Tablet. He has written regularly for the Independent, the Financial Times, and the Economist, and was a London correspondent for ARTNews.
Art
While painting on canvas often slows life right down, paper works were frequently the stuff of sketchbooks, not necessarily labored over in some studio.
Art
From Louise Bourgeois in 2000 to El Anatsui in 2023, countless artists have wrestled with the London exhibition space’s (im)possibilities.
Art
Is the Royal Academy’s Marina Abramović retrospective spirituality or its monetization? You toss the coin.
Art
In Kitaj’s work, the whole is an extravagant layering of several images into one.
Opinion
Tate Britain did wisely to rehang the British poet and painter closer to modernity.
Art
With the Gilbert & George Centre, those two-forever-in-one (or one-forever-in-two) living sculptors have made a bid to claim immortality.
Art
Can we ever get enough of the Pre-Raphaelites, their lives, loves, and art? It seems not.
Art
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Art
The Guggenheim Bilbao’s retrospective of the rebellious 20th-century Viennese artist features over 120 works, but leaves us wanting more.
Art
Near the end of his life, Dr. Gachet urged van Gogh to resume painting because through his art he would find ways of unburdening himself.
Art
What of Saint Francis, that selfless feeder of the birds and the animals? Does he not deserve to be remembered benignly?
Art
Welcome to Alchemy, in which artists with famous names mix strange substances together with outcomes of variable interest.