It’s all slightly depressing that we can’t seem to get rid of the Warhol itch.
Michael Glover
Michael Glover is a Sheffield-born, Cambridge-educated, London-based poet and art critic, and poetry editor of The Tablet. He has written regularly for the Independent, the Times, the Financial Times, the New Statesman and the Economist. He has also been a London correspondent for ARTNews, New York. His latest books are: Late Days (2018), Hypothetical May Morning (2018), Neo Rauch (2019), The Book of Extremities (2019), What You Do With Days (2019) and John Ruskin: a dictionary (2019).
Posted inArt
David Hockney’s Life in Drawing
The history of Hockney and his lifelong life-drawing itch, pursued now over seven decades.
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The Modernist Revolution Along the British Coast
The seven years that a Russian Constructivist and his dog moved among British artists by the seaside.
Posted inFilm
The Disturbing, Enthralling, Pitiless Steve McQueen
The serious-minded artist-cum-filmmaker is enjoying a full retrospective at Tate Modern.
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Henry Moore, Bill Brandt, and Where They Intersect
Throwing together a sculptor and photographer and hoping for a spark.
Posted inArt
The Makings of Madonnas
The peculiarities of pregnancy in art, from corsets to belly pads and hidden bumps.
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The Perfectly Imperfect Grayson Perry
Grayson Perry, the celebrated potter, is indefatigable on the subject of himself.
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Longing to Know More About David Bomberg, Who Blazed Like a Comet Through London’s Stuffy Art Scene
Young Bomberg and the Old Masters, presented in a finite form, could have been so much bigger, more ambitious, and more intellectually adventurous.
Posted inArt
Tiepolo, Once Dubbed the Greatest Painter in Venice, Gets a Retrospective
For Tiepolo: The Best Painter of Venice, the Staatsgalerie in Stuttgart has gathered together much of the artist’s finest work, including a choice selection of his portraits and many of his paintings on religious, historical, and mythological themes.
Posted inArt
Cowboys, Curators, and Finicky-Fingered Mincers
As fairly customary, Glen Baxter is taking a tilt at the absurdities of the fuzzy, whizzy showbizyness of the art world.