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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Michael Glover

Michael Glover is a Sheffield-born, Cambridge-educated, London-based poet and art critic, and poetry editor of The Tablet. He has written regularly for the Independent, the Times, the Financial Times, the New Statesman and the Economist. He has also been a London correspondent for ARTNews, New York. His latest books are: Late Days (2018), Hypothetical May Morning (2018), Neo Rauch (2019), The Book of Extremities (2019), What You Do With Days (2019) and John Ruskin: a dictionary (2019).

Posted inArt

When Leonardo da Vinci Just Isn’t Enough

by Michael Glover November 16, 2019November 15, 2019

Leonardo’s “Virgin” meets virtual reality — simpleminded in the extreme.

Posted inArt

Caravaggio and Bernini, Together at Last

by Michael Glover November 9, 2019November 11, 2019

We could call this exhibition a battle of the swaggerers.

Posted inArt

Leonardo da Vinci, Lost at the Louvre

by Michael Glover November 2, 2019November 1, 2019

What exactly is the matter with this exhibition? We had expected to be excited from the start, but we are not.

Posted inArt

Gauguin’s Predatory Colonial Gaze

by Michael Glover October 26, 2019October 18, 2021

Is it fair to use contemporary standards to judge a man who died 116 years ago?

Posted inArt

A Painter Embraces Inauthenticity

by Michael Glover October 19, 2019October 18, 2019

Albert Oehlen has been a wild spirit from first to last.

Posted inArt

Damien Hirst, Turning In Circles

by Michael Glover October 12, 2019October 12, 2019

Hirst has been an erratic artist from the beginning, just as likely to fail as to succeed.

Posted inArt

Kara Walker’s Monument to Monstrousness

by Michael Glover October 5, 2019October 8, 2019

Can the enduring presence of such monuments among us still have the power to reinforce deep-rooted prejudices, by the very fact that they have simply not gone away?

Posted inArt

The Hollow Heart of Antony Gormley’s Spectacle

by Michael Glover September 28, 2019September 27, 2019

Is there something self-aggrandizing about Gormley’s career-long obsession with making casts of his own body?

Posted inArt

The Tumultuous Times of William Blake

by Michael Glover September 21, 2019September 20, 2019

Blake was received by his contemporaries as either extremely odd or completely mad or perhaps both.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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