Leonardo’s “Virgin” meets virtual reality — simpleminded in the extreme.
Michael Glover
Michael Glover is a Sheffield-born, Cambridge-educated, London-based poet and art critic, and poetry editor of The Tablet. He has written regularly for the Independent, the Times, the Financial Times, the New Statesman and the Economist. He has also been a London correspondent for ARTNews, New York. His latest books are: Late Days (2018), Hypothetical May Morning (2018), Neo Rauch (2019), The Book of Extremities (2019), What You Do With Days (2019) and John Ruskin: a dictionary (2019).
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Caravaggio and Bernini, Together at Last
We could call this exhibition a battle of the swaggerers.
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Leonardo da Vinci, Lost at the Louvre
What exactly is the matter with this exhibition? We had expected to be excited from the start, but we are not.
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Gauguin’s Predatory Colonial Gaze
Is it fair to use contemporary standards to judge a man who died 116 years ago?
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A Painter Embraces Inauthenticity
Albert Oehlen has been a wild spirit from first to last.
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Damien Hirst, Turning In Circles
Hirst has been an erratic artist from the beginning, just as likely to fail as to succeed.
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Kara Walker’s Monument to Monstrousness
Can the enduring presence of such monuments among us still have the power to reinforce deep-rooted prejudices, by the very fact that they have simply not gone away?
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The Hollow Heart of Antony Gormley’s Spectacle
Is there something self-aggrandizing about Gormley’s career-long obsession with making casts of his own body?
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The Tumultuous Times of William Blake
Blake was received by his contemporaries as either extremely odd or completely mad or perhaps both.