Her recent book offers an investigation of the irrational and the unconventional currents swirling behind the Bauhaus’s signature sleek surfaces and austere structures.
This book looks at how aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement.
The book looks at a cultural and philosophical history of neon, from Paris in the twentieth century to the perpetually switched-on present day.
The book links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking.
The book contains more than 600 carefully sequenced images culled from an archive of more than 40,000 photographs taken by the artist.
Katherina Hetzeldorfer was tried and then drowned in the Rhine, for a crime that didn’t have a name in 1477.
In Contact Warhol, Peggy Phelan and Richard Meyer analyze never seen before contact sheets calling it Warhol’s final body of work.