Art
Reveling in the Ruins of the Past
In attempting to convey atrocities that confound language, artist Phyllida Barlow comes up against a paradox with no easy resolution.
Natalie Haddad
Natalie Haddad is Reviews Editor at Hyperallergic and an art writer and historian. She holds a PhD in Art History, Theory and Criticism from the University of California San Diego and has written extensively on modern and contemporary art.
Art
Thao Nguyen Phan’s Multilayered Histories of the Mekong Delta
In a new exhibition, the artist defies the sequential nature of history, finding various ways to chronicle the many layers of devastation experienced throughout the Mekong Delta.
Art
The Prescient Politics of a Seminal Conceptual Photographer
Nearly a decade after his death in 2013, Phel Steinmetz’s attention to the effects of capitalism on the environment can be recognized as both political and prescient.
Art
The Cerebral Art of Wrestling
Wrestling is less a physical act than a psychological space in Mark Yang’s paintings.
Art
The Politics of Desire and Oppression in Anita Steckel's Art
Steckel compelled audiences to acknowledge uncomfortable realities about systemic sexism that persist decades later.
Art
Jon Pylypchuk’s Chorus of Loss
Pylypchuk’s art has always been deeply engaged with the most painful parts of life, those that human beings tend to push aside or deny in order to get by.
Art
Paulina Peavy, the Spiritualist Artist Who Channeled a UFO
Through her encounters with the spirit Lacamo, Peavy developed a cosmology based on 12,000-year cycles of evolution.
Art
Rosemary Mayer’s Art of the Unseen
For Mayer, the passage of time is imbued with a sense of melancholy, of something already lost to the past.
Art
Fred Eversley's Joyful Light
Eversley’s parabolic sculptures draw us into a self-aware and ever-shifting encounter with space and perceptual phenomena.
Art
Henrik Olesen’s Formless, Transgressive Bodies
For much of his career, Olesen has confronted both psychological and physical violence, perpetrated by power structures against non-normative bodies.
Art
Painting the Family Dynamics of Toys and Food
Ulala Imai does more than project human feelings onto toys; she proposes that they represent us, and that we share some of their qualities.
Art
Doug Aitken’s Cities of Loss
Aitken’s exhibition "Flags and Debris" is informed by a dialectic of embodiment and absence.