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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Natalie Haddad

Natalie Haddad is an editor at Hyperallergic and art writer. She received her PhD in Art History, Theory and Criticism at the University of California San Diego. Her research focuses on World War I and Weimar-era German art. She has written extensively on modern and contemporary art and has contributed essays to various art publications and exhibition catalogues.

Posted inArt

Clarence Holbrook Carter, an American Surrealist Who Painted Life, Death, and Rebirth

by Natalie Haddad February 17, 2021March 2, 2021

Carter’s paintings gesture toward unknown realms, whether death or nonhuman consciousness.

Posted inArt

Four Artists Recall a Year to Forget

by Natalie Haddad January 2, 2021December 31, 2020

Judith Bernstein, Carroll Dunham, Alia Ali, and Tomashi Jackson talk about what got them through 2020.

Posted inArt

The Fallacies of Whiteness

by Natalie Haddad December 5, 2020December 14, 2020

Divya Mehra offers a complex view of race and identity that supplants the myth of a monolithic Other.

Posted inArt

Rodney McMillian Deftly Treads the Line Between Politics and Aesthetics

by Natalie Haddad October 30, 2020November 10, 2020

In Body Politic, McMillian unveils the insidious racial exclusion and oppression in Abstract Expressionism and landscape painting.

Posted inArt

Cosima von Bonin Takes Cute Art Seriously

by Natalie Haddad September 19, 2020November 5, 2020

Implicit throughout the artist’s latest show is the tension between the feeling of failure and the struggle to be recognized and taken seriously, rather than erased.

Posted inArt

A “People’s History” of Los Angeles’s Skid Row

by Natalie Haddad August 24, 2020November 5, 2020

Artists and activists have a long history in the Skid Row neighborhood. An online archive documents their stories and influence.

Posted inArt

Léon Spilliaert’s Nocturnal Visions

by Natalie Haddad August 22, 2020November 5, 2020

Spilliaert saw his hometown of Ostend, Belgium, as a kind of liminal space between the outside and his interior world.

Posted inArt

Ree Morton’s Personal Work Asserts That Art Doesn’t Exist in a Vacuum

by Natalie Haddad July 16, 2020November 5, 2020

While Morton’s career spanned less than a decade (1968–1977), her work remains vital to questioning what it means to be a woman in art history and society.

Posted inArt

Ann Greene Kelly Estranges the Familiar

by Natalie Haddad June 6, 2020November 5, 2020

In Kelly’s sculptures, manmade objects morph into new or composite forms that seem to verge on organic.

Posted inArt

120 Artists Create a “Drive-by-Art” Exhibition Throughout Los Angeles

by Natalie Haddad May 27, 2020May 27, 2020

The exhibition includes both well-known and emerging artists and reaches across LA County’s varied neighborhoods.

Posted inArt

Johanna Went, the “Hyena of Performance Art”

by Natalie Haddad May 5, 2020May 4, 2020

Messy, anarchic, and sexualized, Went’s performances around Los Angeles from the late 1970s through the ’80s refused to be reduced to a single thing.

Posted inArt

The Enigmatic Beauty of Leidy Churchman’s Paintings

by Natalie Haddad April 18, 2020September 23, 2020

Churchman raises pointed philosophical and sociopolitical inquiries by coaxing viewers toward a position of otherness.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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