Discussing her solo show at MASS MoCA, the interdisciplinary artist explained, “When I’m talking about ‘We Already Have What We Need,’ what I’m really trying to talk about is our anxiety as human beings about how to live.”
In her performance, Fraser plays the role of male feminists, both empathizing with them and exposing their failure to empathize with the goals of the Women’s Movement.
This vast collection of video art reveals how artists have been speaking back to mass modes of communication for decades.
An illuminating exhibition at the Getty reveals how photography created and perpetuated a national imaginary in Argentina.
This major retrospective of Carlos Almaraz focuses on the less examined but rich painting practice Almaraz pursued upon leaving mural making.
The punk icon kicked off the New Museum’s performance series last Thursday in conjunction with the just-opened show Trigger: Gender as a Tool and a Weapon.
Alejandro González Iñárritu’s immersive triptych at LACMA offers visitors the opportunity to experience the treacherous journey across the border between the US and Mexico.
Maudie, directed by Aisling Walsh, offers a complex portrait of a woman who resided on the literal edges of society and had no formal training, but lived and breathed her painting.