Art
The Baroque Violence of Jusepe de Ribera
The UK’s first show of the famously gruesome seventeenth century Spanish painter places his monumental works in historical context.
Olivia McEwan is a trained art historian and freelance writer focusing on the London art world. She is also a practising artist, lending a keen eye and understanding of painterly technique which informs her criticisms of historical and emerging arts.
Art
The UK’s first show of the famously gruesome seventeenth century Spanish painter places his monumental works in historical context.
Art
Frieze Masters, where art from before the 20th century is for sale, raises questions about the sociopolitical role of art fairs and what small galleries gain by participating.
Art
The collection is not widely recognized as a trove of ancient art and artifacts, but hosts a rich collection with an occasionally troubled history.
Art
The Dorotheum auction house will sell the Baroque painter's "Lucretia," heavily advertising the artists traumatic past as a 17th-century woman.
Art
Michaelina Wautier's artistic talent was on par with that of her famous male contemporaries, like Rubens and Van Dyck. The first-ever retrospective of her work offers long overdue recognition.
Art
Christo's giant floating sculpture, "The London Mastaba," sits on the Serpentine Lake in Hyde Park as tourists on paddle boats circle around.
Art
In May, a Cologne auction house sold a painting that is believed to be by one of the foremost female painters of the 17th century.
Art
Rodin's work is currently on display at the British Museum, with a number of photographs and sculptures included in the exhibition, the main draw being the Parthenon marbles.
Art
Former Spice Girl Victoria Beckham's London shop is hosting an art display of paintings from Sotheby's Old Master sale.
Books
Published after her death, this succinct volume draws important art historical connections pointing to longstanding struggles with depictions of misery.
Art
At best, All Too Human shows well known artists at an intriguing new angle and revisits lesser known names, but at worst makes some perplexing curatorial choices which defy its own set of rules, stretching relevance through some optimistic inclusions.
Art
A show at the Tate Modern in London hones in on the artist’s diaristic relationship to his own work