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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Renée Reizman

Renée Reizman lives in Los Angeles, where she is a research-based interdisciplinary artist and writer who examines cultural aesthetics and their relationship between urbanization, law, and technology. Her writing has appeared in The Atlantic, The Awl, and Real Life Magazine. Learn more about her dog on Twitter and Instagram.

Posted inArt

Solange’s New Performance Piece, Staged in the Getty’s Breathtaking Landscape

by Renée Reizman November 13, 2019November 14, 2019

A first look at Solange’s upcoming performance “Bridge-s,” which will be paired with a curated series of short films and talks at the Getty this weekend.

Posted inNews

Tenants of Downtown LA Art Colony Face Evictions, But Might Have the Law on Their Side

by Renée Reizman November 6, 2019

The city recently passed two new measures beefing up renters’ protections, and the artists facing displacement are taking full advantage of the law.

Posted inArt

10 Eye-Popping and Provocative Art Books to Check Out Right Now

by Renée Reizman November 5, 2019November 5, 2019

The Acid-Free Art Book Market brought forth booksellers in tune with the cultural and sociopolitical zeitgeist, offering books on detention center architecture, monographs in translation, and new underground periodicals written by people living in the margins.

Posted inArt

A Tribute to Women’s Work, From Weaving to Computer Programming

by Renée Reizman October 23, 2019

While they may appear at odds, the design of computing machines and weaving technology are closely entwined.

Posted inArt

Inaugural Toronto Biennial Focuses on Climate While Dismantling Eurocentric Ideas

by Renée Reizman and Eunice Bélidor October 22, 2019October 29, 2019

In The Shoreline Dilemma curators Candice Hopkins and Tairone Bastien offer a consideration of “climate” that spans the tangible environment to the social. Here are some highlights to catch before the Biennial closes on December 1.

Posted inArt

California Landscapes, Millenial Pink, and Lots of Painting at the Other Art Fair

by Renée Reizman September 6, 2019September 11, 2019

Catering to “a new generation of art buyers,” most of the artwork at the Santa Monica fair sells for under $1,000.

Posted inPerformance

For Six Hours, Four Performers Freeze in the Act of Falling

by Renée Reizman August 19, 2019

In Just a Blink of an Eye, the performers lean backwards, appearing as victims of an unseen violence.

Posted inArt

A Virtual Reality Meal Is a Powerful Comment on Being Asian in America

by Renée Reizman August 14, 2019

The six-course dinner is a sensory metaphor for chef, curator, and poet Jenny Dorsey’s experiences as an Asian in America.

Posted inArt

The Future of Conceptual, Immersive Art Hasn’t Quite Arrived

by Renée Reizman August 2, 2019August 3, 2021

The Gray Area Festival’s attractions like Inferno and the ISM Hexadome drew upon images of hell and Thom Yorke to illustrate its vision of audience-participatory art, but the festival itself demonstrated that technology alone is not enough.

Posted inArt

Experiencing the Flurry of the Internet in Physical Spaces

by Renée Reizman June 4, 2019November 4, 2019

In exhibitions at the Vincent Price Art Museum and the Orange County Museum of Art, York Chang explores “fake news” as the foundation of mass media.

Posted inPerformance

A Factory that Processes Your Dandelion Wishes

by Renée Reizman May 15, 2019

The anonymous art collective simply known as the Art Department transformed a decommissioned building into “a secret wish-processing facility.”

Posted inNews

Faced with Rising Tuition, CalArts Students Are Working to Raise Money

by Renée Reizman March 22, 2019

Student organizers closed out the annual CalArts REDCAT Gala by asking for contributions from deep-pocketed donors.

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