Film
America Ferrera to Play Cuban Artist Ana Mendieta in New Series
The show is an adaptation of Naked by the Window, the 1990 book about Mendieta's career and Carl Andre’s suspected role in her death.
Rhea Nayyar (she/her) is a New York City-based staff reporter at Hyperallergic. She received a BFA from Carnegie Mellon University and has a passion for small-scale artworks, elevating minority perspectives, and dogspotting at art world events.
Film
The show is an adaptation of Naked by the Window, the 1990 book about Mendieta's career and Carl Andre’s suspected role in her death.
News
Berlinale organizers quickly deleted the posts and disavowed the statement as filmmakers called for a Gaza ceasefire during a closing ceremony.
News
Echoing the Puerto Rican youth group’s 1969 "Garbage Offensive," JVP urged NYC officials to cut ties with the American Israel Public Affairs Committee.
News
The move paves the way for contemporary artists to sell their inflatable mixed-media sculptures to yachters around the world.
News
Workers who spoke to Hyperallergic questioned why the text, which cited "the loss of Jewish lives," made no mention of Palestinians.
News
Emerald Dispensary in Bushwick had painted over the image of the rap legend, fearing that it would violate the state’s advertising regulations.
Art
The artworks in the Bronx Museum’s AIM Biennial dig into and critique the powers that be, documenting lived experiences and personal histories.
News
Two of the artists in the Yerba Buena Center for the Arts’s triennial allege that they were asked not to advocate for Palestine in their artwork and supporting text.
News
Julia Kwon's textile piece was on view at the UrbanGlass Art Center when someone took it off the wall, balled it up, and shoved it in their pocket.
News
Arts Council England's updates to its guidelines have drawn backlash from critics who say they amount to censorship.
Art
From polycules and break-ups to situationships and forbidden love, Hyperallergic has you covered this February 14.
News
“This spring will be the only one we have left if we don’t react,” said activists who targeted the protective glass on Monet’s “Le Printemps.”