Opinion
In Defense of Jonathan Yeo’s King Charles Portrait
Just like Velázquez’s last portrait of King Philip IV of Spain, Yeo’s blood-red painting signifies the imminent downfall of a monarch.
Saam Niami
Saam Niami is a writer and filmmaker based in New York City. He has contributed writing to The New York Times, Elephant Magazine, Mousse Magazine, GQ Middle East, 032c, and office magazine.