Sarah E. Bond is an associate professor of history at the University of Iowa. She blogs on antiquity and digital humanities, and is the author of Strike: Labor, Unions, and Resistance in the Roman Empire (Yale University Press, February 2025).
Art
Exhibitions at British cultural institutions have lately underscored the artistic output of Ethiopian scribes, and in the process, have also renewed questions around whether museums that have benefitted from acts of imperialism and colonialism should now return looted objects.
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Examining the clothing and also the color that Romans used to visualize those they defined as “barbarians” gives us a clue as to how Romans differentiated themselves from their foes
News
Collaborations among Egyptologists and digital linguistics promise global visualizations of what was written on inscriptions, papyri, wall paintings, and other sources of Hieroglyphs. It may also allow for more popular knowledge of Egyptian Hieroglyphs and encourage its assimilation into popular lan
Art
Would you think differently about a work of art if you knew it depicted a slave owner? New labels installed at the Worcester Art Museum are drawing attention to the connections between art, slavery, and wealth in early America.
News
Last year, it appeared as though the bulk of the holdings of the UT-Austin Fine Arts Library would be moved but, after a concerted campaign, a plan to keep them on campus was adopted.
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Despite the current political landscape of the US, we can look to antiquity to see that the red cap was actually once a symbol of citizenship and welcome to the foreigner.
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Two major public universities have recently moved to radically downsize or entirely relocate their fine arts libraries, which is in keeping with broader trends of libraries doing away with books.
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Recent research on the use of graphic narratives in the ancient world has revealed their value to everyday people in the ancient Mediterranean — similar to modern audiences’ appreciation for such work.
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The history of Tyrian purple, indigo, and other dyes is a fascinating reminder of how we forget the people and the labor behind the products we use everyday.
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If we consider coloring books as pedagogical tools rather than amusing diversions, we can use the fad as food for thought.
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The equation of white marble with beauty is not an inherent truth of the universe; it's a dangerous construct that continues to influence white supremacist ideas today.