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Posted inArt

The Infinite Forms of Marta Chilindron’s Manipulable Sculptures

A historic building on Millionaire’s Row seems an unlikely location to come upon contemporary sculpture, yet the old and the new are currently loosening each other up in a former party mansion on the Upper East Side. EXPAND//FOLD//COLLAPSE// Sculptures by Marta Chilindron features brightly colored, manipulable works placed within the Beaux-Arts setting of the James B. Duke House.

Posted inArt

Cowboy Art Without the Irony

CALGARY — For ten days every July, a particular brand of cowboy hat-wearing, two-stepping, and beer-swilling mayhem descends upon the city of Calgary, Alberta. The Calgary Stampede, officially lauded as “The Greatest Outdoor Show on Earth” is ostensibly a rodeo, but its hallmarks include a thriving midway, free pancake breakfasts, and temporary tent bars with names like “Wildhorse” and “Nashville North” set up in parking lots.

Posted inArt

In Search of Richard Serra’s Embattled “Shift”

TORONTO — Forget “Spiral Jetty” and “Double Negative.” The most inaccessible work of Land Art is sitting in Toronto’s own backyard. Having traveled to the distant salt lake shore of Smithson’s “Spiral Jetty” (1970) in Utah and spent several fruitless hours searching for Heizer’s “Double Negative” (1969) atop the arid Mormon Mesa in Nevada, I can attest to the long distances, sturdy vehicles, and functional GPS systems required to reach these sites. Unlike Richard Serra’s landmark sculpture, “Shift” (1972), however, none of them involve illegal trespassing.