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Posted inArt

For One Night, a City Lights Up with Art

DALLAS — Aurora illuminated the Dallas Arts District last Friday, featuring 90 site-specific light and sound installations covering 19 blocks of downtown from 7 pm until midnight. An estimated 30,000 people gathered and wandered through the city, taking in the transformation that molded buildings, illuminated cathedrals, lit hidden spaces, and made concrete, glass, and steel pulse.

Posted inArt

Sight, Sound, and the Colors of Perception

Many viewers are coming across the work of Norwegian-born, New York–based artist Anne Katrine Senstad at the 55th Venice Bienniale. Senstad’s work is on view in the Officina delle Zattere, as part of the group exhibition Metamorphoses of the Virtual – 100 Years of Art and Freedom. Her work deals with perception — how what we see, including the colors around us, shapes how we feel.

Posted inArt

In Pursuit of the Glittering Point

The title of Shanti Grumbine’s current exhibition at A.I.R. Gallery, The Glittering Point, comes from the phrase “glittering generalities,” which, according to the artist, became popular in the mid-nineteenth century. The term describes propaganda that champions vagueness to evoke positive feelings rather than actually communicating information. Grumbine begins her process with this phrase in mind, as she collects startling imagery of war, scintillating images of luxury items, and both iconic and candid political campaign photos from the New York Times.

Posted inArt

Gleaning the Fields of Memory to Create Form

Upon entering 287 Spring to see Not Past: Old Toys and Lost Friends, a solo exhibition by artist Brian Fernandes-Halloran. one is confronted with two sculptural re-creations of toys the artist remembers playing with when he was growing up, a truck and a red hammer. Fernandes-Halloran’s work is composed of an array of found discarded objects and wax, and based on his memories as well as the broader concept of recalling and formulating memories.

Posted inArt

What Is the Economic Monster of Our Time?

When I recently visited the exhibition CR(I)SES AD(JUST)MENTS (COLLAPSED) at Flux Factory, a solo show by French artist Christine Laquet, I was immediately seduced by a white circular platform featuring red high-heeled shoes and imagery projected onto it from the ceiling. The images fluctuated between close-ups of slow-moving jellyfish and blurry snow scenes, and were accompanied by a captivating audio track. Titled “If by love possessed,” the audio is an interview Laquet did with a “Doctor in Monsterology” — a discussion of what, where, and who could be the contemporary monster, read by a teenage girl.

Posted inArt

Collaboration Across Borders Through Artist Workshops

One aspect of all of artists’ workshops and residencies is that in making work side by side, artists inevitably begin to understand each other despite their differences. Empathy is a fundamental ingredient in most art, and while individual works are vastly different from each other, much art confronts and offers unique answers to such essential questions as, what does it mean to be human? Artists are vital to easing political friction because by fostering a vision and purpose, they can dissolve borders and provide a psychic geography.

Posted inArt

Death, Darkness, Alchemy, and Rebirth

I’ve always been attracted to the macabre in art and literature. I have a vivid memory of pronouncing Edgar Allen Poe my favorite author we had read that year in 7th grade; most of my classmates preferred Harper Lee or Mark Twain. While walking through the group exhibition A Wake: Still Lives and Moving Images at the Dumbo Arts Center, which combines video, cinema, and photography to explore the theme of death, I had a similar experience to when I first read Poe.

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