Seph Rodney, PhD, is a former editor for Hyperallergic, and is now a regular contributor to Hyperallergic and the New York Times. He received the Rabkin Prize for arts journalism in 2020 and an Andy Warhol Foundation Arts Writers Grant in 2022.
Art
An exhibition joins artworks from the Carnegie Museum in Pittsburgh and Studio Museum in Harlem. While an astute idea, there's a sterility to this show that's underpinned by an uninspired curation.
Art
The experiential value of encountering old master paintings amid the trappings of luxury.
Art
Dominique Duroseau's exhibition shows us what black bodies look like when "glamoured" by a racist imagination.
Art
In an exhibition at the former home of Frederic Edwin Church, a key member of the movement, Teresita Fernández reimagines the legacy of American landscape painting.
Art
Jeff Sonhouse's exhibition at Tilton Gallery is visually rewarding and acutely intelligent.
Art
Biggers's current exhibition at Marianne Boesky gallery, Selah, taps into something deeply powerful and ancestral.
Art
The show evokes a prelapsarian aesthetic world from which viewers — following the story of the expulsion from the Garden of Eden — are barred.
Art
This week at the New School, ArtTable is holding a panel discussion for its Annual Leadership Series.
Art
At the MELA Foundation Dream House, Jung Hee Choi's Ahata Anahata, Manifest Unmanifest XI seduces, disorients, and transforms.
Art
Michael Flomen's first photographs were made with the light of fireflies, inspiring a series of work that converses with rain water, earth, and plant life.
Art
Who is made whole by Walker's decontextualized images of violence correlated with race, gender, sex, and with chattel slavery and the social practices devolving from that historical circumstance?
Opinion
The new seal suggests that the village of Whitesboro may be aptly named.