Art
Roxanne Jackson’s Fantasia Under the Sea
Maybe Jackson's ceramic "monsters" are just creatures who look like they shouldn’t belong — and in her world-building Jackson has made a place where they do.
Art
Maybe Jackson's ceramic "monsters" are just creatures who look like they shouldn’t belong — and in her world-building Jackson has made a place where they do.
Art
Those empowered to supervise large swaths of humanity too often dehumanize us, whether through the levers of state, financial, or political power.
Opinion
The idea of public criticism as “talking shit” rather than a collaborative venture permeates the arts, and it’s ultimately counterproductive.
Art
From the visual pleasures of Mary Sully to the cultural critique of Gary Simmons, to a lesson in Haitian art history, there’s plenty of great art to see right now.
Art
Gary Simmons’s art suggests that rather than make progress our culture more often makes elaborate circles over and over again on the ice until the music stops.
Art
While Scrawlspace is a deeply inquisitive and well-researched exhibition, the premises are in some instances cliché and a bit contradictory.
Art
While his paintings follow the rules of linear perspectives, Niles uses the materiality of the paint itself to pull viewers into the compositions.
Art
The exhibition No Justice Without Love poses questions about the roots and limitations of our civic imagination.
Opinion
We want public art to interrogate social injustices, fill us with love and joy, and brush aside human flaws, but it rarely ever lives up to these expectations.
Art
The "Loophole of Retreat" symposium at the Venice Biennale demonstrated that the personal is not only political; it’s also where most of humanity lives.
Art
At a moment when the future of this country seems precarious and uncertain, A Movement in Every Direction demonstrates that Black Americans have been among this nation’s most stalwart heroes.
Art
These are what have been for me the most troubling and beautiful aspects of being a full-time critic and writer.