What unites all these projects is a clear sense that they exist in a world unto itself: the digitized space.
A thought experiment I sometimes engage in is to ask myself what kind of god would make the world that is being represented in the work I’m seeing.
Michael Mandiberg’s Timeframe exhibition gives the viewer a window into a period of time when they had to deal with the breakdown of their own body.
Wifredo Lam developed a style that dances between figuration and abstraction, but the selected compositions at Pace gallery tend to repeat.
If a digital site is described as an “exhibition” I go to it wanting a visual experience animated by lively and inventive juxtapositions and means of navigation.
“Behold” here, in this exhibition, is an invitation to see the intertwining of aesthetic concerns and the rigors of political and historical exploration.
Her witchery is mischievous, aiming to trick the beholder into a quite fragile enchantment.
BOCA RATON, FL — One of the first things I see as I walk into the gargantuan Schmidt Center Gallery on the campus of Florida Atlantic University is a wall assemblage that in the aggregate, from a distance, looks like the profile of a fish gaping its mouth to swallow some floating trinkets. I get […]
Sounding Board does not do what I expect from contemporary performance with its staged acting and scripted plot and dialogue, but it still succeeds.
Unless you were already familiar with Bey’s documentary work, the horror he refers to might not be recognizable to you.
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Jean Shin’s “Fallen” bids goodbye to the longevity we thought we had and mourns it, so that we might let it go.