Seph Rodney, PhD, is a former editor for Hyperallergic, and is now a regular contributor to Hyperallergic and the New York Times. He received the Rabkin Prize for arts journalism in 2020 and an Andy Warhol Foundation Arts Writers Grant in 2022.
Art
At the International Festival of Performance Art in Fort-de-France, performers are given free reign to do what they want without thematic direction or much curatorial oversight.
Art
Dona Nelson's works are literally made to stand up for themselves, bolted to wooden platforms and staged in coteries of pictorial bodies.
Art
The characters of Romare Bearden's collages, on view now at DC Moore Gallery, form a kind of pantheon, a great mythological scheme particular only to the black American South.
Art
Here’s a story: Once upon a time there was a nation. Then it caught on fire. The end.
Art
The 13th Sharjah Biennial, titled Tamawuj, immerses you in distinctly crafted and compelling realities through sound, video works, and maze-like installations.
News
A new gallery is the latest to join a growing cluster of art spaces in the quickly gentrifying neighborhood.
News
Among the report's surprising findings is that the city's cultural sector is phenomenally informal and extensive, with more than 4,700 nonprofit cultural providers and more than 17,000 for-profit cultural entities.
Art
Zoe Buckman takes issue with the voice of command, teasing out how patriarchal authority permeates our ideas of femininity and the ways we deal with women’s bodies.
Opinion
A piece in the New York Times about the former president's book of paintings is part reputation rehab, part art review, and part audition for the job of Bush’s headstone writer.
Art
The latest Sharjah Biennial features over 50 international artists, many of whom have created impressive installations in the Emirate.
Art
The people in Alex Majoli's strobe-lit images are treated as metaphors instead of themselves.
Art
Tamara Kostianovsky's exhibition at Y Gallery features sculptures of butchered fowl made from salvaged fabric.