Seph Rodney, PhD, is a former editor for Hyperallergic, and is now a regular contributor to Hyperallergic and the New York Times. He received the Rabkin Prize for arts journalism in 2020 and an Andy Warhol Foundation Arts Writers Grant in 2022.
News
As a corrective to the perception that we are living in a post-truth reality, art, history, and science institutions around the world are sharing truths today through the social media hashtag #DayofFacts.
Art
The Department of Cultural Affairs is devising a plan for June 2017 that would manage and organize New York City's resources for arts and culture.
Art
In his exhibition at Thierry Goldberg Gallery, David Shrobe uses the nonsensical and irrational as tonics for the relentless instrumentalization of what we purchase and consume.
Performance
The Batsheva Dance Company’s Last Work features a dancer running on a treadmill for the entire length of the performance, while the ensemble physically enacts a series of non-narrative scenes.
News
On a day of protest, one museum opened its doors for a special event. But was it enough?
Art
At Cheim & Read there is a new exhibition of Louise Bourgeois’s holograms, which she began making in 1998.
Art
In her show at Paula Cooper Gallery, Liz Glynn keeps Rodin's signature realism and physicality, but sculpts her bodies to be more wretched.
Art
At Master Drawings, art dealers spread their net a bit wider to exhibit rare drawings, watercolors, and oil sketches from the 14th to 20th centuries.
Art
Arthur Jafa's "Love Is the Message, The Message Is Death" communicates a truth about black life in the US: Many of our public encounters erupt in violence or are premised upon violence.
Art
Everyone has to make a decision of what they will do that day and these five offered us insight into their plans.
News
Museums in North America continue to be dependent on private philanthropy to expand their collections and mount shows.
Art
What is a nation, and who gets to belong?