Art
The recently closed exhibition by Shimon Attie at Jack Shainman gallery is the documentation of a peculiar work made two years ago and installed in contested locations in Israel and the Palestinian Territories.
Art
This year's AAM (American Alliance of Museums) conference, organized under the theme “Power, Influence, and Responsibility,” made a significant effort to meaningfully engage with issues of diversity and the inclusion of historically underrepresented populations.
Art
Julieta Aranda’s latest work on view at the James Fuentes gallery, has the patina of social significance and discernment.
Art
The Performance Anxiety series, curated by Ventiko, stages a monthly performance buffet on the Lower East Side.
Art
The Close to the Edge: New Photography from Japan exhibition at Miyako Yoshinaga looks to position the gallery as an organization that shapes the conversation around historical and contemporary photography from Japan.
Art
On a Saturday evening a few weekends ago, several artists, performers, activists, and writers gathered at an apartment in Chelsea to discuss their relationship to the city-wide process of gentrification.
Art
I received an invitation to attend a show titled “Authority Figure,” subtitled: “An immersive choreography exploring our relationships to surveillance, big data, and policing as it mingles with our psychology.”
Art
A few years ago I worked at a commercial art gallery on the Lower East Side as the communications manager. In this role I was responsible for interviewing our unpaid interns, hiring them, and supervising their daily tasks.
Art
“Direct Downward Cut at the Head; Overhand Knife Thrust”; “and where the blood ran fastest, there he whipped”; “To them God has appeared as a Negro”; "syntactical slips and breaks" — these are a sample of the bits of text affixed to the walls in Kameelah Janan Rasheed’s On Refusal.
Art
I Can’t Breathe, now on view at the Art Gallery at the College of Staten Island, is a dissonant show.
Art
Broodthaers was an artist who developed an inflammatory and unruly practice, playing with notions of expectation and frustrating them.
Art
For the wealthy 19th-century elite, a portrait rendered by a respected artist was a signifier of status — an oversized and ostentatious calling card.