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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Sheila Regan

Sheila Regan is a Minneapolis-based journalist and critic. She has written for Bomb, Artnet News, The Lily, Broadly, American Theatre, and contributes dance reviews for the Star Tribune.

Posted inArt

A Sobering Time Capsule of Humanity

by Sheila Regan May 2, 2023May 3, 2023

The artists in Message from Our Planet: Digital Art from the Thoma Collection at the Weisman Art Museum in Minneapolis want to shake us awake before it’s too late.

Posted inArt

In Minneapolis, a Russian Museum With an Identity Crisis

by Sheila Regan November 27, 2022November 23, 2022

Many in the local Ukrainian community want the museum’s name to be changed to reflect the many artworks in its collection by artists from former Soviet states.

Posted inPerformance

Dancing Toward Peace and Healing

by Sheila Regan November 15, 2022November 22, 2022

In She Who Lives on the Road to War, Rosy Simas combines installation and performance to address the immense losses experienced during the COVID-19 pandemic.

Posted inArt

The Art of a Haunted United States

by Sheila Regan March 22, 2022March 23, 2022

Even for viewers who don’t believe in ghosts, spirits, or alien life, the works in Supernatural America possess their own power.

Posted inArt

In Minneapolis, Vibrant Posters Push for Political Change

by Sheila Regan November 2, 2020November 5, 2020

Stand Up Prints, the latest exhibition at Highpoint Center for Printmaking, showcases striking prints by artists from over 23 states.

Posted inArt

An Artist’s Vision Centers Indigenous Narratives and Spaces

by Sheila Regan August 21, 2020October 11, 2021

In Red Exit, Andrea Carlson’s motifs celebrate the spaces Native people create for themselves.

Posted inArt

The Many Sides of Harriet Bart, From 1970s to Today

by Sheila Regan April 7, 2020April 3, 2020

From dental hygienist to professional artist, Bart knew all along that she couldn’t “just stay put.”

Posted inArt

Nicholas Galanin Suggests We’re Ready to Fight Back

by Sheila Regan November 18, 2019

Galanin, a Tlingit-Unangax̂ artist, addresses climate change and its connection to white supremacy, as well as the commodification of indigenous cultures.

Posted inArt

The Spirits that Haunt the Words of Edgar Heap of Birds

by Sheila Regan May 16, 2019August 5, 2019

Hyperallergic sat down with Edgar Heap of Birds to discuss his current exhibition at MoMA PS1.

Posted inArt

An Indigenous Artist Captures the Racial Violence at Standing Rock

by Sheila Regan February 7, 2019February 8, 2019

Jim Denomie’s paintings present an emotional response to the violence of white supremacy that emerged during the DAPL conflict.

Posted inArt

Photographs of Women That Capture Ancestral Trauma

by Sheila Regan January 25, 2019March 12, 2019

In Yes, and the body has memory, a group of women photographers grapples with notions of trauma, family, ancestral connections, and the female body.

Posted inArt

Giving Form to the Stories of Syrian Refugee Children

by Sheila Regan August 21, 2018August 20, 2018

“I want to take the stories that children really do want many people to hear, and become almost a vehicle that helps these stories be more accessible,” says artist Essma Imady.

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“Monumental Concerns” Symposium With Carrie Mae Weems, Hank Willis Thomas, and More
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“Monumental Concerns” Symposium With Carrie Mae Weems, Hank Willis Thomas, and More

Scholars, artists, curators, activists, and historians will convene at Syracuse University in October to consider the role of monuments and their contested place in contemporary society.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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