Sheila Regan – Hyperallergic

The Many Sides of Harriet Bart, From 1970s to Today

Sheila ReganApril 7, 2020

Nicholas Galanin Suggests We’re Ready to Fight Back

Sheila ReganNovember 18, 2019

The Spirits that Haunt the Words of Edgar Heap of Birds

Sheila ReganMay 16, 2019

An Indigenous Artist Captures the Racial Violence at Standing Rock

Sheila ReganFebruary 7, 2019

Photographs of Women That Capture Ancestral Trauma

Sheila ReganJanuary 25, 2019

Giving Form to the Stories of Syrian Refugee Children

Sheila ReganAugust 21, 2018

Photographing the Costs of the Anthropocene

Sheila ReganJune 28, 2018

Power and Beauty in China as Seen Through the Designs of Robert Wilson

Sheila ReganMay 8, 2018

How a Controversial Developer Helps and Hurts Artists in the Twin Cities

Sheila ReganApril 10, 2018

Installation view of Rachel Breen and Alison Morse's project The Price of Our Clothes at the Perlman Teaching Museum (photo by the author for Hyperallergic)

A Haunting Artistic Tribute to Garment Workers Killed in Bangladesh and the US

Sheila ReganApril 9, 2018

Looking Beyond History to Tell the Story of Cuban Art

Sheila ReganFebruary 20, 2018

Aliza Nisenbaum’s Majestic Portraits of Communities

Sheila ReganDecember 6, 2017

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