The exhibition “Shofuso and Modernism” presents a synthesis of International Style and Japanese craft traditions.
Ben Gocker isn’t yearning to be released from the impermanence of his body. His work shows his acceptance of nostalgia and melancholy.
In Intimate Immensity at PAFA, touch, materiality, the sensual, and the subversive are part of a feminist lineage.
In Evan Fugazzi’s paintings we are given the pleasure of experiencing how each color helps to define the others.
Rina Banerjee’s work is a melange upon a melange of images, ideas, and information existing in contrast to the fact that we can never know everything.
Initially uninterested in boxing, Fink became hooked on exploring this world of grand ambitions and human vanity.
Tal R reminds us that what’s painted is inherently fiction, that the world of a painting is a reality unto itself.
Poet, editor, and art critic William Corbett passed away on August 10th.
Clipping photos and phrases from army recruitment magazines, Theodore A. Harris began his decades-long critique of the relationship between militarism and capitalism.
For Collage as Painting, Kate Abercrombie and Trevor Winkfield look at mysterious, esoteric, and sometimes troubling aspects of everyday life.
John Godfrey’s poems are like pointillistic patterns more than traditional narratives, suggesting an attitude over a story.
This rigorous exhibition uses art to critique the stereotype that men and technology go hand in hand