Film
Contrasting Histories of Genocide in Former Yugoslavia
Dara of Jasenovac and Quo Vadis, Aida? take different tacts on filmic representation of war crimes.
Sumeja Tulic is a Libyan-born Bosnian writer and photographer. She writes about art, conflict, and everything in between the two.
Film
Dara of Jasenovac and Quo Vadis, Aida? take different tacts on filmic representation of war crimes.
Art
False and varying claims about documentary images made by Candida Höfer and Dorothea Lange ultimately create a deeply malleable “unsettled subject.”
Art
Safet Zec is exhibiting his opus Exodus in the former UN Mission headquarters in Potočari, where 8,372 Bosnian Muslim men and boys lived their last moments.