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Grounded in Grain, Washed in the Water
Black Southern traditions are not relics to be preserved behind glass, but dynamic systems of knowledge that continue to evolve.
The Halsey Institute of Contemporary Art
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Maria Britton: Second Sleep
Discarded bedsheets shape portals of reflection, obscuring the past or inviting to imagine what lies beyond in this exhibition at the Halsey Institute of Contemporary Art at the College of Charleston.
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In Kyoung Chun: Make Room
Transparent houses, suspended structures, and intimate paintings serve as metaphors for belonging in this exhibition at the Halsey Institute of Contemporary Art at the College of Charleston.
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Raheleh Filsoofi: At the Edge of Arrival
On view at the Halsey Institute of Contemporary Art through December 6, a Middle Eastern immigrant artist explores migration, land, and memory in the American South using dust paintings, ceramics, sound, and video.
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Kenny Nguyen: The Divine Eye
Torn strips of silk reflect Caodaist temple architecture in this massive installation, inviting Halsey Institute visitors to engage with the history of Vietnam.
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But is it Folk Art? Avant-Garde Quilts and Found Object Assemblages
Coulter Fussell and Butch Anthony work in traditional mediums to examine modern issues.
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Katrina Andry and Colin Quashie Deconstruct Race-Based Stereotypes at the Halsey Institute
On view through December 7, 2019, the shows printmaking, collage, and installation beckon viewers to examine their preconceived notions of society.
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Cry Joy Park Investigates Utopia and Dystopia with Cut Paper Flowers and Ink-On-Glass Paintings
On view at the Halsey Institute of Contemporary Art, the installation aims to present both an alluring, gorgeous and otherworldly garden, and its darker counterpart.
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Halsey Institute's Symposium on Public Memory in the New South Examines What We Remember and Forget
Public Memory in the New South is concerned with how we choose to frame our recollections to arrive at a collective sense of who we are in today's South.
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Southbound Unsettles Assumed Narratives About the American South
On view at the Halsey Institute of Contemporary Art, fifty-six photographers’ visions of the South over the first decades of the 21st century.
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Following in the Footsteps of Audubon’s The Birds of America
Italian artist Hitnes retraces the steps of John James Audubon at the Halsey Institute of Contemporary Art.
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The Halsey Institute Debuts The Carrion Cheer, an Installation About Humans' Relationship to Nature
The galleries become a transdimensional stopover camp for extinct animals.