Coulter Fussell and Butch Anthony work in traditional mediums to examine modern issues.
The Halsey Institute of Contemporary Art
Katrina Andry and Colin Quashie Deconstruct Race-Based Stereotypes at the Halsey Institute
On view through December 7, 2019, the shows printmaking, collage, and installation beckon viewers to examine their preconceived notions of society.
Cry Joy Park Investigates Utopia and Dystopia with Cut Paper Flowers and Ink-On-Glass Paintings
On view at the Halsey Institute of Contemporary Art, the installation aims to present both an alluring, gorgeous and otherworldly garden, and its darker counterpart.
Halsey Institute’s Symposium on Public Memory in the New South Examines What We Remember and Forget
Public Memory in the New South is concerned with how we choose to frame our recollections to arrive at a collective sense of who we are in today’s South.
Southbound Unsettles Assumed Narratives About the American South
On view at the Halsey Institute of Contemporary Art, fifty-six photographers’ visions of the South over the first decades of the 21st century.
Following in the Footsteps of Audubon’s The Birds of America
Italian artist Hitnes retraces the steps of John James Audubon at the Halsey Institute of Contemporary Art.
The Halsey Institute Debuts The Carrion Cheer, an Installation About Humans’ Relationship to Nature
The galleries become a transdimensional stopover camp for extinct animals.
The Halsey Institute of Contemporary Art Presents La Historia Recordada, an Exhibition of Work by Roberto Diago
Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life.