Art
When Art Refuses to Let Go
Delirious at the Met Breuer is an exhibition filled with beautiful but comparatively polite works by habitually transgressive artists.
Thomas Micchelli
Thomas Micchelli is an artist and writer.
Art
The High Drama of Hot Color in a Field of Black
Jason Karolak’s colors grab your attention like flashing LEDs in a dark-as-midnight casino.
Books
The Blindness of Edgar Degas
His virulent belief system, which led him to cut off his Jewish friends in the wake of the Dreyfus Affair, is unredeemed by his art.
Art
Helen Frankenthaler’s Panoramas of Paint
Dual retrospectives of paintings and woodcuts underscore Frankenthaler’s restless experimentation in image and materials.
Art
The Open-Ended Narratives of a Small Museum
What if Abstract Expressionism never happened?
Art
Merrill Wagner's Puzzles in Color and Tape
Wagner’s method is as straightforward as it is mind-bogglingly precise, so much so that it took a great deal of close scrutiny to fully grasp exactly what she is doing.
Art
John D. Graham and "Another Way of Making Modern Art”
Digging deeply into his own psyche, Graham was able to cast off the pastiche of styles that had been crowding his mind’s eye, and follow his own peculiar path.
Art
The Feminist Avant-Garde, Now More than Ever
Their only solution was to make their revolution their own way, without help and without precedent.
Art
On Life and Work: Hannah Black and Petra Buchegger
In Vienna, two shows offer meditations on the body, the earth, labor, and fate.
Art
Patricia Satterlee’s Painterly Silence
Satterlee’s paintings, having eluded the categorical distributions of abstract art, are ultimately couched in their own terms, a syntax that can feel a step outside the precincts of language.
Art
Life After Art: William Powhida’s Futures Market
A meta-besotted, multilayered, impudent, lacerating exhibition that pricks pretense and self-delusion on every level.
Art
The Essential Egon Schiele
Any dissonance between the spiritual and the sexual does not seem to have occurred to Schiele: one was a manifestation of the other, for good or ill.