The Ecuadorian painter, a leading figure of Latin America’s Indigenismo art movement, has been both praised and scorned for his representation of Indigenous peoples.
Tim Brinkhof
Tim Brinkhof is a journalist and film critic based in Amsterdam. He studied early Netherlandish painting at NYU and has written for Esquire, High Times and History Today.
Posted inArt
Visiting Peru’s Terrorism Museum on the Eve of a Constitutional Crisis
Peruvian history is a contentious subject, and the authorities in charge of writing its first drafts should not be taken at their word.
Posted inArt
The Past, Present, and Future of Kosovo Collide at Manifesta 14
Many exhibits at the biennial seem to be about Kosovans setting things right and regaining a sense of control over their lives and livelihoods.
Posted inNews
How the Hermitage Amsterdam Finally Broke Free From Mother Russia
The Dutch institution had long tried to distance itself from Putin’s Russia, but after the invasion of Ukraine, distance was no longer enough.
Posted inArt
A Rare Look at a Korean Portraiture Tradition
An exhibition at the Asian Art Museum is only the latest step in a long journey to chart the development of Korean identity through art.
Posted inArt
When Disney Declared War on Deutschland
Walt Disney built his media empire animating fairy tales; he did not start making films set in a Nazi-occupied Europe by choice.
Posted inOpinion
What We Lose if the Amsterdam Hermitage Closes for Good
Thanks to the pandemic, the museum may be on the verge of shutting its doors just when Europe needs its Russian ambassador more than ever.
Posted inHistory
How a Dutch Painting Dominates the Way We See a 17th-Century Lynching
Jan de Baen’s “The Corpses of the De Witt Brothers” has become the dominant visual representation of the brothers’ lynching, but whether it deserves this honor is debatable.