Guide
Your Concise Guide to Armory Week 2021
Your useful guide to the fairs and exhibitions of interest this week.
Valentina Di Liscia is a Senior Editor at Hyperallergic. Send her your inquiries, stories, and tips to valentina@hyperallergic.com.
Guide
Your useful guide to the fairs and exhibitions of interest this week.
News
With official authorities overwhelmed and underfunded, locals have mobilized a robust relief response, among them members of the state’s thriving arts community.
News
“Girl with a Balloon,” which started shredding as soon as it sold in 2018, could fetch more than $8 million.
Art
Schvartz paints an unflinching portrait of the working class, of barrio culture, of women involved in the innocent yet staunchly political act of simply being.
Art
A new book project by Macushla Robinson looks at the way in which sexual violence is discussed, and often downplayed, in museum wall labels and cataloguing.
News
The original composition showed the chemists “as wealthy tax collectors and fashionable luxury consumers rather than as the progressive and scientifically minded couple that define the portrait today.”
News
A sign remembering Till, defaced with bullets, will be displayed across from the Star-Spangled Banner.
News
The cover is a deluded, self-referential tribute to Hirst's career.
Art
The palimpsestic drawings and irreverent captions dissolve into senselessness, upending the ubiquitous cartoon medium.
Art
After a statue of the trans activist promised by the city was delayed by the pandemic, activists installed the bust themselves this week.
News
Bob Ross, Inc. (BRI) has taken a stand against the new Netflix documentary Bob Ross: Happy Accidents, Betrayal, and Greed (2021), which chronicles the TV painter’s rise to fame and subsequent legal controversies after his death. In a public statement released yesterday , BRI denounced the film’s “inaccurate and
News
Conservators at Dresden's Old Masters Picture Gallery have uncovered a full-length cupid in Vermeer's "Girl Reading a Letter at an Open Window" — likely painted over by someone other than the artist.