Art
Imaginary Homelands, Shahzia Sikander in Lahore
This photo essay tells the story of an artist's view of her experience at a new and important biennale.
Art
This photo essay tells the story of an artist's view of her experience at a new and important biennale.
Art
In Jenny Morgan's exhibition at the Museum of Contemporary Art Denver, death lurks in her compositions.
Art
An exhibit at the Denver Art Museum conceives of the American West according to art history, but also through the lens of our current cultural climate.
Art
DENVER — The story goes like this. It is 1950. Virginia born painter Judith Godwin learns that dancer and choreographer Martha Graham will be in the region and all Godwin can think about is her desire for Graham to perform in Staunton at the all women’s school she attended, Mary Baldwin College.
Interview
What may seem erratic, disparate, schizophrenic, and impatient might instead be read as a thoughtful, methodical, and relentless reconstruction of, as Hassan puts it, his process of defining the sum total of knowledge.
Art
LOUISVILLE, Kentucky — The Kentucky Museum of Art and Craft in Louisville has spent the last couple of years staking out a place in discussions occurring in contemporary art circles about the line dividing art and craft. The recent exhibition PRESS: Artist and Machine was a romantic show focused on
Art
LOUISVILLE — Music Unwound remains a provocative commentary on the history of music, politics, and performance—specifically the role of human capital in the creation and consumption of culture. Given this layered content, it seemed very contentious to present it here in Louisville.
Interview
LOUISVILLE, Ky. — Since moving here with my family a couple of years ago, The Land of Tomorrow (LOT) has been on my mind. It is a provocative production and exhibition space established by Drura Parish and Dmitry “Dima” Strakovsky, first in Lexington (2009) and then in Louisville (2010), Kentucky.
Art
LOUISVILLE, Kentucky — Long before Reverend Al Shands bought his first contemporary artwork, he founded an Episcopal church that met weekly at a Washington, D.C. seafood restaurant. “I find the wholesome, institutional nature of the church rather boring. But I do not find religion boring. To pray, I