While sex is clearly in its cultural flop era, intimacy with ourselves and with others is being deftly portrayed in body horrors.
In an open letter, the Society for American Archaeology accused journalist Graham Hancock’s docuseries of disparaging experts while promoting “racist, white supremacist ideologies.”
EO’s universe seems a godless one; there’s no philosophical reason for the pain that human and nonhuman animals endure.
Nope, Neptune Frost, and Laura Poitras’s portrait of Nan Goldin are on our list of the best films made this year.
The subject matter of The Super 8 Years could not be more mundane, but the Nobel Prize-winning memoirist’s musings elevate it to something far more compelling.
The Turkish Culture Ministry has demanded its funding back on an award-winning independent film after a smear campaign by conservative media.
Whether documentary, experimental, or somewhere in between, there is no shortage of intriguing Dominican films through which to consider life on the island.
The shorts will be screened as part of XO & Struggle: An Evening of Abolitionist Cinema at the Maysles Documentary Center in Harlem, New York.
Nina Menkes’s Brainwashed: Sex-Camera-Power wants to join the ongoing conversation about gender and film. The trouble is that it has nothing new to say.
An insidious racism is at play in interviewer Henri Renaud’s attempt to groom Thelonious Monk for public consumption on French television.
Refugees of the Moria camp in Lesvos, Greece are behind the camera in the film Nothing About Us Without Us.
All the Beauty and the Bloodshed forcefully posits multiple parallels between the world Nan Goldin grew up in and the one she fights in today.