The Barbadian-born filmmaker, producer, and writer passed away in June, after decades of advocating for Afro-diasporic film culture.
The Green Knight adapts a Middle English chivalric romance of King Arthur’s court as a somber, allegorical adventure.
Director Malgorzata Szumowska uses fantasy to satirize the lives of the affluent in Poland’s official Oscar submission.
The opening ceremony is a giant “Welcome!” party thrown by the host country. How did Japan welcome the world this year?
Returning to the Museum of Moving Image, this year’s First Look 20/21 is the largest in the festival’s history.
Garrett Bradley’s Netflix docuseries explores the tennis star as a vessel for other people’s love and aspirations.
Old literalizes the adage about how life passes you by in a flash, to horrifying effect.
With those who directly experienced the events dwindling in number, films about the Holocaust must now grapple with what “Never forget” truly means.
While narratives depicting the Holocaust present fixed versions of events, testimonial films tend to be more open-ended, and pose more profound questions.
The seven shorts of the anthology The Year of the Everlasting Storm are impressively varied, given the constraints under which they were made.
Since cameras were first pointed at the concentration camps, filmmakers have faced challenges in how to respectfully and meaningfully depict atrocity.
Here are some cartoons outside the mainstream, from a mischievously psychosexual short to an allegory for post-WWII Europe.